and the accusations were supposed to have an irrefragable basis in the fact that he accepted a stipend from the French government. He has never attempted to conceal the reception of that stipend, and we think his statement (in the "Vermischte Schriften") of the circumstances under which it was offered and received, is a sufficient vindication of himself and M. Guizot from any dishonor in the matter.
It may be readily imagined that Heine, with so large a share of the Gallic element as he has in his composition, was soon at his ease in Parisian society, and the years here were bright with intellectual activity and social enjoyment. "His wit," wrote August Lewald, "is a perpetual gushing fountain; he throws off the most delicious descriptions with amazing facility, and sketches the most comic characters in conversations." Such a man could not be neglected in Paris, and Heine was sought on all sides—as a guest in distinguished salons, as a possible proselyte in the circle of the Saint Simonians. His literary productiveness seems to have been furthered by his congenial life, which, however, was soon to some extent embittered by the sense of exile; for since 1835 both his works and his person have been the object of denunciation by the German governments. Between 1833 and 1845 appeared the four volumes of the "Salon," "Die Romantische Schule" (both written, in the first instance, in French), the book on Börne, "Atta Troll," a romantic poem, "Deutschland," an exquisitely humorous poem, describing his last visit to Germany, and containing some grand passages of serious writing; and the "Neue Gedichte," a collection of lyrical poems. Among the most interesting of his prose works are the second volume of the "Salon," which contains a survey of religion and philosophy in Germany, and the "Romantische Schule," a delightful introduction to that phase of German literature known as the Romantic school. The book on Borne, which appeared in 1840, two years after the death of that writer, excited great indignation in Germany, as a wreaking of vengeance on the dead, an insult to the memory of a man who
