uine living human being; she would have been as much startled by such an encounter as a necromancer whose incantations and blue fire had actually conjured up a demon.
The "Night Thoughts" appeared between 1741 and 1745. Although he declares in them that he has chosen God for his "patron" henceforth, this is not at all to the prejudice of some half dozen lords, duchesses, and right honorables who have the privilege of sharing finely-turned compliments with their copatron. The line which closed the Second Night in the earlier editions—
"Wits spare not Heaven, Wilmington!—nor thee" —
is an intense specimen of that perilous juxtaposition of ideas by which Young, in his incessant search after point and novelty, unconsciously converts his compliments into sarcasms; and his apostrophe to the moon as more likely to be favorable to his song if he calls her "fair Portland of the skies," is worthy even of his Pindaric ravings. His ostentatious renunciation of worldly schemes, and especially of his twenty-years' siege of Court favor, are in the tone of one who retains some hope in the midst of his querulousness.
He descended from the astronomical rhapsodies of his "Ninth Night," published in 1745, to more terrestrial strains in his "Reflections on the Public Situation of the Kingdom," dedicated to the Duke of Newcastle; but in this critical year we get a glimpse of him through a more prosaic and less refracting medium. He spent a part of the year at Tunbridge Wells; and Mrs. Montagu, who was there too, gives a very lively picture of the "divine Doctor" in her letters to the Duchess of Portland, on whom Young had bestowed the superlative bombast to which we have recently alluded. We shall borrow the quotations from Dr. Doran, in spite of their length, because, to our mind, they present the most agreeable portrait we possess of Young:
"I have great joy in Dr. Young, whom I disturbed in a reverie. At first he started, then bowed, then fell back into a surprise; then
