that he "never asked the moon one question"—an omission which Young thinks eminently unbecoming a rational being. He describes nothing so well as a comet, and is tempted to linger with fond detail over nothing more familiar than the day of judgment and an imaginary journey among the stars. Once on Saturn's ring he feels at home, and his language becomes quite easy:
"What behold I now?
A wilderness of wonders lemming round,
Where larger suns inhabit higher spheres;
Perhaps the villas of descending gods!"
It is like a sudden relief from a strained posture when, in the "Night Thoughts," we come on any allusion that carries us to the lanes, woods, or fields. Such allusions are amazingly rare, and we could almost count them on a single hand. That we may do him no injustice, we will quote the three best:
"Like blossom'd trees o'erturned by vernal storm,
Lovely in death the beauteous ruin lay.
*****
"In the same brook none ever bathed him twice:
To the same life none ever twice awoke.
We call the brook the same—the same we think
Our life, though still more rapid in its flow;
Nor mark the much irrevocably lapsed
And mingled with the sea."
*****
"The crown of manhood is a winter joy;
An evergreen that stands the northern blast,
And blossoms in the rigor of our fate."
The adherence to abstractions, or to the personification of abstractions, is closely allied in Young to the want of genuine emotion. He sees virtue sitting on a mount serene, far above the mists and storms of earth; he sees Religion coming down from the skies, with this world in her left hand and the other world in her right; but we never find him dwelling on virtue or religion as it really exists—in the emotions of a man dressed in an ordinary coat, and seated by his fireside of an evening, with his hand resting on the head of his little daughter, in courageous effort for unselfish ends, in the
