This is well enough once, but it should not be repeated. One cannot begin at the beginning twice. In any case, it does not dispose of an obvious dilemma: those among prospective readers who are acquainted with the first book do not need to be informed of the how, when and wherefore of Carrados and his associates; those who are not so acquainted (possibly even a larger class) do need to be informed, and may resent the omission. In the circumstances a word of explanation where it can conveniently be avoided seems to offer the least harmful course.
Max Carrados was published in the spring of 1914. It consisted of eight tales, each separate and complete in itself, but connected (as are the nine of the present volume) by the central figure of Carrados. The first story, "The Coin of Dionysius," cleared the necessary ground. Carlyle, a private inquiry agent, who has descended in the social scale owing to an irregularity—an indiscretion rather than a crime—is very desirous one evening of testing the genuineness of a certain rare and valuable Sicilian tetradrachm, for an immediate arrest depends. It is too late at night for him to get in touch with expert professional opinion, but finally he is referred to a certain gifted amateur, a Mr Max Carrados, who lives at Richmond. To Richmond he accordingly proceeds, and is at once recognised by Carrados as a former friend, Calling by name. The recognition is not at first mutual, for Carrados has also changed his name—he was formerly Max Wynn—in order to qualify for a considerable fortune, and he, like Carlyle, has altered in appearance with passing years. More to the point, he has become blind: "Literally . . . I was riding along a bridle-path through a wood about a dozen years ago with a friend.
