In the description of my own physique and psyche, I have indicated the general characteristics of the extreme type of androgynes foreordained to become quasi-public female-impersonators. But the outstanding feminesque physical stigmata of each "fairie" (as they are commonly called in the United States) tend to be sui generis. In one it is natural beardlessness alone. In another, the possession of female breasts alone. In a third, the female skeletal shape, particularly an over-long spine, short legs, and broad pelvis. In a fourth, natural soprano voice. Etc.
Whoever has beheld an instinctive female-impersonator when keyed up, must confess that this type are born actors—or "actresses," as they prefer to be called. Their histrionic skill is not primarily the result of practice or instruction.
Their audiences have marvelled because the impersonators' faces are devoid of any sign of beardal hair. Usually the beard is eradicated. It is allowed to grow for a full week in seclusion. By means of a mask of depilatory wax, every hair is then pulled out by the roots, the outer portion having become embedded, like hair in wall-plaster. For three weeks, the face is as glabrous as a baby's. Then the week's seclusion and the final excruciatingly painful yank of the wax mask all over again. The process has no permanent effect, either good or bad.
All the impersonators adopt a fancy feminine name, as Pansy, Daisy, and Lily. Often the names of living star actresses are adopted and "dragged into the mud," as people say. For while the career of a female-impersonator is a purely physiological and
