Page:The Finer Grain (London, Methuen & Co., 1910).djvu/111

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MORA MONTRAVERS
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felicity, human impunity, human sublimity, call it what one would, surely dwelling in such a consciousness. How could a girl have to think long, have to think more than three-quarters of a second, under any stress whatever, of anything in the world but that her presence was an absolute incomparable value? The prodigious thing, too, was that it had had in the past, and the comparatively recent past that one easily recalled, to content itself with counting twenty times less: a proof precisely that any conditions so determined could only as a matter of course have been odious and, at the last, outrageous to her. Goodness knew with what glare of graceless inaction this rush of recognitions was accompanied in poor Traffle; who was later on to ask himself whether he had showed to less advantage in the freshness of his commotion or in the promptly enough subsequent rage of his coolness. The commotion, in any case, had doubtless appeared more to paralyze than to agitate him, since Mora had had time to come nearer while he showed for helplessly planted. He hadn't even at the moment been proud of his presence of mind, but it was as they afterward haunted his ear that the echoes of what he at first found to say were most odious to him.

"I'm glad to take your being here for a sign you've not lost your interest in Art"—that might have passed if he hadn't so almost feverishly floundered on. "I hope you keep up your painting—with such a position as you must be in for serious work: I