Page:The Finer Grain (London, Methuen & Co., 1910).djvu/261

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THE BENCH OF DESOLATION
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out breath for an appealing groan. Customers lingering for further enjoyment of the tasteful remarks he had cultivated the unobtrusive art of throwing in, would at this crisis have found plenty to repay them, might his wit have strayed a little more widely still, toward a circuitous egotistical outbreak, from the immediate question of the merits of this and that author or of the condition of this and that volume. He had come to be conscious through it all of strangely glaring at people when they tried to haggle—and not, as formerly, with the glare of derisive comment on their overdone humour, but with that of fairly idiotised surrender; as if they were much mistaken in supposing, for the sake of conversation, that he might take himself for saveable by the difference between sevenpence and ninepence. He watched everything impossible and deplorable happen, as in an endless prolongation of his nightmare; watched himself proceed, that is, with the finest, richest incoherence to the due preparation of his catastrophe. Everything came to seem equally part of this—in complete defiance of proportion; even his final command of detachment, on the bench of desolation (where each successive fact of his dire case regularly cut itself out black, yet of senseless silhouette, against the red west) in respect to poor Nan's flat infelicities, which for the most part kept no pace with the years or with change, but only shook like hard peas in a child's rattle, the same peas always, of course, so long as the rattle didn't split