Page:The Folk-Lore Journal Volume 3 1885.djvu/226

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218
THE FORBIDDEN CHAMBER.

father's commands as to the marriage of his sisters. After their marriages the brothers set out to seek them, and the youngest surpasses his brothers in the feats he performs, ultimately saving a king's daughter from death while she sleeps by killing a snake which is about to devour her. For this, when he chooses to confess, he is rewarded with her hand. The elder brothers then drop out of the story. The brothers-in-law will of course be recognized as the Animal Brothers-in-law of Von Hahn's classification, where their functions appear to be confounded with those of the Grateful Beasts. It is true that this is frequently the case; but these Sclavonic Forbidden Chamber stories seem to present a further evolution. The office of the hero's mysterious kinsmen here is to restore him to life, to give him good counsel, and even to fight the ravisher; but the Grateful Beasts themselves are brought in to perform the tasks which are the condition of his success. It may be noted, however, that, while their functions are thus differentiated, the Brothers-in-law and the Grateful Beasts do not usually both appear in the same story. The latter are absent from Steelpasha and the parallel Bohemian story of Sunking, Moonking and Windking,[1] as the former are from another sub-genus of this group.

The stories of this sub-genus substitute the Swan Maiden myth for that of the Animal Brothers-in-law as the motive of the hero's original wandering. A vila in the shape of a large bird robs a pear-tree by night.[2] The hero's two elder brothers watch in vain for the thief: to the hero alone she reveals herself—a maiden with shining hair. His mother cuts off the hair and the maiden disappears, cursing him not to rest ere he find her again. He sets out to seek her, and is directed to a fountain where she comes to bathe on Thursdays and Fridays. The old man who gives this information puts the hero into a magical sleep; but the vila awakens him, carries him off, and marries him. A variant narrated by Wenzig is somewhat more Oriental in some of its features.[3] A widow's son

  1. Waldau, loc. cit.
  2. Krausz, Sagen und Märchen der Südslaven, Story No. 88, p. 397. See also Story No. 81, p. 352.
  3. Westslanischer Märchenschatz, p. 69.