fitted to discuss these matters. No doubt these modern and cheap methods of presenting dramatic compositions to the public have opened up new fields of amusement to classes of people who could not previously afford them.
Working people who live in unattractive houses, who are busy all day, and whose evenings are free to spend them as they please, should have amusement, and, if they find it at all, they must get it from an inexpensive source. For them photo plays furnish a means of recreation and some little education, perhaps, and vaudeville adds a touch of humor and romance which they are quite to be excused if they do not resist. With them I have no fault to find. The college student is in a somewhat different class. His evenings may with propriety and profit be spent in study; he can not afford, if he would be more than commonplace, to spend them regularly in cheap moving picture and vaudeville theatres. Moreover, we have a right to expect that his tastes be somewhat higher than those of the average man. Anyone who attends these plays in a college town or who simply watches the crowds as they pour out of the play houses, however, may well be astonished at the numbers of students who regularly attend. Even mature students fall into the habit. Only a short time ago I had reason to inquire into the daily life of
