beast of prey; the magnificent blonde brute, avidly rampant for spoil and victory; this hidden core needed an outlet from time to time, the beast must get loose again, must return into the wilderness—the Roman, Arabic, German, and Japanese nobility, the Homeric heroes, the Scandinavian Vikings, are all alike in this need. It is the aristocratic races who have left the idea "Barbarian" on all the tracks in which they have marched; nay, a consciousness of this very barbarianism, and even a pride in it, manifests itself even in their highest civilisation (for example, when Pericles says to his Athenians in that celebrated funeral oration, "Our audacity has forced a way over every land and sea, rearing everywhere imperishable memorials of itself for good and for evil"). This audacity of aristocratic races, mad, absurd, and spasmodic as may be its expression; the incalculable and fantastic nature of their enterprises,—Pericles sets in special relief and glory the ραϑυμία of the Athenians, their nonchalance and contempt for safety, body, life, and comfort, their awful joy and intense delight in all destruction, in all the ecstasies of victory and cruelty,—all these features become crystallised, for those who suffered thereby in the picture of the "barbarian," of the "evil enemy," perhaps of the "Goth" and of the "Vandal." The profound, icy mistrust which the German provokes, as soon as he arrives at power,—even at the present time,—is always still an aftermath of that inextinguishable horror with which for whole centuries Europe has regarded the wrath of the blonde Teuton beast (although between the old Germans and ourselves there exists scarcely a psychological, let alone a physical, relationship). I have once
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"GOOD AND EVIL," "GOOD AND BAD"
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