Page:The Harvard Classics Vol. 51; Lectures.djvu/62

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52
POETRY

man arises who has the gift of song. Conscious of himself now as an individual, he takes the stories which the fathers have told, threads of legend and tradition, and weaves them into a new pattern. As the earlier poetry was the expression of the collective ideals of the group, so now the poem conceived and shaped by a single maker is animated by his own special purpose; colored by his personal emotion, it reflects the world as he himself sees it: and it becomes in this wise the expression of his individual interpretation of life.[1]

Thus a new spirit comes into narrative poetry. Less and less it is spontaneous, impersonal, objective; more and more it is the product of a deliberate, self-conscious art; the choice of subject and the manner of presenting it are determined by the poet's own feeling. The world from which he draws his material is nearer home. His characters are more immediate to everyday experience; what they lose in glamour they gain in directness of appeal. Interest in the action for its own sake does not flag, but the persons who move in it are more closely and definitely expressive of what the poet thinks and feels. He chooses his characters because they embody concretely and so exemplify the conception he has formed of a significant situation. The story of the mythical hero Beowulf and his fight with the weird sea-monster Grendel is succeeded by Chaucer's "Canterbury Tales."[2] Here the poet assembles a motley company, of high and low degree, of clerical and lay, sketched from the life with exquisitely humorous fidelity. The stories they tell to pass the stages of their pilgrimage are as varied as themselves none, however, more characteristic of the new temper of poetry than the Nun's Priest's tale. Now

A povre widwe somdel stope in age,
Was whylom dwelling in a narwe cotage,
Bisyde a grove, stondyng in a dale.[3]

And the hero of the tale is "Chauntecleer"! The cock discourses learnedly of dreams, and for authorities he invokes the great names of antiquity. But he succumbs to inexorable fate, figured by "Russel the fox," while the denizens of the barnyard act the chorus to his

  1. As illustrating the contrast in point of view of the work of the individual poet and of national poetry, it is interesting to compare the acute self -consciousness of Tennyson's "Ulysses" (H. C., xlii, 977) with the downrightness of Homer's hero.
  2. H. C., xl, 11.
  3. H. C., xl, 34.