pattern,[1] is a poem. And this form is not accidental or arbitrary, but is conditioned by the nature itself of the human mind and spirit.
THE NATURE AND SOURCE OF RHYTHM
Within the texture of every poem beats a pulse like the throb of coursing blood in a living body; and this pulse or rhythm is the life of poetic form. Indeed rhythm is the very heart of the universe itself. No manifestation of the active principle in the great frame of things is so intimate or so pervasive. Day and night, flow and ebb, the perfect return of the seasons, the breath of our nostrils and the stars in their courses echo alike its mighty music. In the little practical affairs of life, no less than in earth's orbic sweep through stellar spaces, rhythm is a law of movement, to which all sustained action instinctively conforms. It makes movement easier, as in labor—whether the quick tap of a smith's hammer on his anvil or the long-drawn tug of a gang at a rope. Soldiers, marching to an ordered step, lighten the fatigue of weary miles. Rhythm also makes movement pleasurable, as in the dance. And, conversely, the perception of rhythm in things external to oneself is both easy and pleasurable. Alike in its subjective and its objective aspects, therefore, rhythm is in essential harmony with the spirit of man.
As the order of the universe is shot through with a living pulse, so emotion, too, if sustained, tends to express itself in rhythm. The emotional stimulus of the perception of beauty, or the excitement attending insight into the deeper truth of life, quickens the heart-throb; this heightened activity overflows to expression in words which reproduce the measured beat of the impetus out of which they spring. And so a poem comes to birth. In its most primitive forms, some scholars tell us, poetry is but the voice accompaniment to the rhythms of bodily movement in work and play.[2] A woman grinding corn back and forth between two stones, keeps time by the crooning of unreasoned words in endless repetition. A fragment of an old spinning song echoes in Ophelia's ravings: "You must sing Down-a-down, An you call him a-down-a. O, how the wheel
