rhapsody, did not sentiments like these pervade the writings of those whose influence over society is great. They say, in a word, that all the world's a stage, and the men and women merely players, that God Almighty pulls the strings, and wo are forbidden to look behind the scenes. They say you may admire, if you will, the shape and actions of the arm, and then expatiate on the mysterious power which enables an act of the will to move the limb, but you must not look at the mechanism to see how it is accomplished for that is material and degrading. Admire, if you will, the blush on the maiden's cheok, but forbear to disclose the secret springs through which the charm appears. Must we, again, go back two centuries to find the answer given by our great poet?
"This is an art which you say adds to nature, Change it rather-the art itself is nature."
It cannot therefore be a matter of indifference to us if we find that so many men engaged in litoraturo and art fccl a repugnance to science, and we may consequently ask ourselves, can it be true that all elevation of thought, imagination, poetry, and the love of the beautiful, are the peculiar attributes of one class only, and that the
