Page:The Hittites - the Story of a Forgotten Empire.djvu/113

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HITTITE RELIGION AND ART.
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kenæ seems to have been connected with that of Asia Minor, it is hardly too much to suppose that the symbol of the dove had made its way across the Ægean through the help of the Hittites, and that in the pinnacled temple of Mykenæ, with its two doves, we may see a picture of a Hittite temple in Lydia or Kappadokia.

The legends reported by Lucian about the foundation of the temple of Mabog all agreed that it was dedicated to a goddess. The 'Holy City' was under the protection, not of a male but of a female divinity, which explains why it was that it was served by eunuch priests. If Attys or Hadad was worshipped there, it was in right of his mother; the images of the other gods stood in the temple on sufferance only. The male deity whom the Greek author identified with Zeus must have been regarded as admitted by treaty or marriage to share in the honours paid to her. It must have been the same also at Boghaz Keui. Here, too, the most prominent figure in the divine procession is that of the Mother-goddess, who is followed by her son Attys, while the god, whose name may be read Tar or Tarku, 'the king,' and who is the Zeus of Lucian, advances to meet her.

In Cilicia and Lydia this latter god seems to have been known as Sandan. He is called on coins the 'Baal of Tarsos,' and he carries in his hand a bunch of grapes and a stalk of corn. We may see his figure engraved on the rock of Ibreez. Here he wears on his head the pointed Hittite cap, ornamented with horn-like ribbons, besides the short tunic and boots with upturned ends. On his wrists are bracelets, and earrings hang from his ears.

Sandan was identified with the Sun, and hence it