spread beyond the coasts of Asia Minor. Allusion has already been made to the figures of the Hittite goddess and the doves that rested on the pinnacles of her temple; another figure in thin gold gives us a likeness of the Hittite goddess seated on the cliff of Sipylos, as she appeared before rain and tempest had changed her into 'the weeping Niobê.' Perhaps, however, the most striking illustration of the westward migration of Hittite influence, is to be found in the famous lions which stand fronting each other, carved on stone, above the great gate of the ancient Peloponnesian city. The lions of Mykenæ have long been known as the oldest piece of sculpture in Europe, but the art which inspired it was of Hittite origin. A similar bas-relief has been discovered at Kiimbet, in Phrygia, in the near vicinity of Hittite monuments; and we have just seen that the heraldic position in which the lions are represented was a peculiar feature of Hittite art.
Greek tradition affirmed that the rulers of Mykenæ had come from Lydia, bringing with them the civilisation and the treasures of Asia Minor. The tradition has been confirmed by modern research. While certain elements belonging to the prehistoric culture of Greece, as revealed at Mykenæ and elsewhere, were derived from Egypt and Phœnicia, there are others which point to Asia Minor as their source. And the culture of Asia Minor was Hittite. Mr. Gladstone, therefore, may be right in seeing the Hittites in the Keteians of Homer—that Homer who told of the legendary glories of Mykenæ and the Lydian dynasty which held it in possession. Even the buckle, with the help of which the prehistoric Greek fastened his cloak, has been shown by a German scholar to imply an arrangement
