syllables and sounds, sometimes as determinatives to denote the class to which the word belongs to which they are attached. It is probable, moreover, that a word or sound was often expressed by multiplying the characters which expressed the whole or part of it, just as was the case in Egyptian writing in the age of Ramses II. At the same time the number of separate characters used by the Hittites was far less than that employed by the Egyptian scribes. At present not 200 are known to exist, though almost every fresh inscription adds to the list.
The oldest writing material of the Hittites were their plates of metal, on the surface of which the characters were hammered out from behind. The Hittite copy of the treaty with Ramses II. was engraved in this manner on a plate of silver, its centre being occupied with a representation of the god Sutekh embracing the Hittite king, and a short line of hieroglyphs running round him. This central ornamentation, surrounded with a circular band of figures, was in accordance with the usual style of Hittite art. The Egyptian monuments show us what the silver plate was like. It was of rectangular shape, with a ring at the top by which it could be suspended from the wall. If ever the tomb of Ur-Maa Noferu-Ra, the Hittite wife of Ramses, is discovered, it is possible that a Hittite copy of the famous treaty may be found among its contents.
At the events, it is clear that already at this period the Hittites were a literary people. The Egyptian records make mention of a certain Khilip-sira, whose name is compounded with that of Khilip or Aleppo, and describe him as 'a writer of books of the vile Kheta.' Like the Egyptian Pharaoh, the Hittite monarch was
