only from Ephesos to Phokæa, but also from Sardes to Smyrna. It is not until the pass is cleared at its northern end that the road which runs through it—the Karabel-déré, as the Turks now call it—joins the Belkaive, or road from Sardes to Smyrna. It is evident that Herodotos must have received his account of the figures from another authority, though his identification of them with the Egyptian Sesostris is his own.
Not far from Karabel another monument of Hittite art has been discovered. Hard by the town of Magnesia, on the lofty cliffs of Sipylos, a strange figure has been carved out of the rock. It represents a woman with long locks of hair streaming down her shoulders, and a jewel like a lotus-flower upon the head, who sits on a throne in a deep artificial niche. Lydian historians narrate that it was the image of the daughter of Assaon, who had sought death by casting herself down from a precipice; but Greek legend preferred to see in it the figure of 'weeping Niobe' turned to stone. Already Homer told how Niobê, when her twelve children had been slain by the gods, 'now changed to stone, broods over the woes the gods had brought, there among the rocks, in lonely mountains, even in Sipylos, where they say are the couches of the nymphs who dance on the banks of the Akheloios.' But it was only after the settlement of the Greeks in Lydia that the old monument on Mount Sipylos was held to be the image of Niobê. The limestone rock out of which it was carved dripped with moisture after rain, and as the water flowed over the face of the figure, disintegrating and disfiguring the stone as it ran, the pious Greek beheld in it the Niobê of his own mythology. The figure was originally that of the great goddess of Asia Minor, known some-
