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PREFACE.

M. Chipiez, L'Histoire de l'Art dans l'Antiquité, published at Paris a year ago. Profusely illustrated, the latter work sets before us a life-like picture of Hittite architecture and art.

It cannot be long before the inscriptions left to us by the Hittites, in their peculiar form of hieroglyphic writing, are also made to reveal their secrets. All that is required are more materials upon which to work, and we shall then know which, if any, of the attempts hitherto made to explain them has hit the truth. Major Conder's system of decipherment has not yet obtained the adhesion of other scholars; neither has the rival system of Mr. Ball, ingenious and learned as it is. But if we may judge from the successes of the last few years, it cannot be long before we know as much about the Hittite language and writing as we now know about Hittite art and civilisation. To quote the words of Dr. Wright: 'We must labour to unloose the dumb tongue of these inscriptions, and to unlock their mysteries, not with the view of finding something sensational in them, or for the purpose of advancing some theory, but for the love of knowing what they really contain; and I doubt not that, proceeding in the right method of investigation, we shall reach results satisfactory to the Oriental scholar, and confirmatory of Divine truth.'

Queen's College, Oxford.
October 1888.