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THE HOUSE OF MIRTH

the light quiver of ash-leaves, the country unrolled itself in pastoral distances.

Higher up, the lane showed thickening tufts of fern and of the creeping glossy verdure of shaded slopes; trees began to overhang it, and the shade deepened to the checkered dusk of a beech-grove. The boles of the trees stood well apart, with only a light feathering of undergrowth; the path wound along the edge of the wood, now and then looking out on a sunlit pasture or on an orchard spangled with fruit.

Lily had no real intimacy with nature, but she had a passion for the appropriate and could be keenly sensitive to a scene which was the fitting background of her own sensations. The landscape outspread below her seemed an enlargement of her present mood, and she found something of herself in its calmness, its breadth, its long free reaches. On the nearer slopes the sugar-maples wavered like pyres of light; lower down was a massing of grey orchards, and here and there the lingering green of an oak-grove. Two or three red farm-houses dozed under the apple-trees, and the white wooden spire of a village church showed beyond the shoulder of the hill; while far below, in a haze of dust, the high- road ran between the fields.

"Let us sit here," Selden suggested, as they reached an open ledge of rock above which the beeches rose steeply between mossy boulders.

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