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THE HOUSE OF MIRTH

was now smiling on him with a divine renewal of kindness.

"Well, here we are, in for another six months of caterwauling," he began complainingly. "Not a shade of difference between this year and last, except that the women have got new clothes and the singers haven't got new voices. My wife's musical, you know—puts me through a course of this every winter. It isn't so bad on Italian nights—then she comes late, and there's time to digest. But when they give Wagner we have to rush dinner, and I pay up for it. And the draughts are damnable—asphyxia in front and pleurisy in the back. There's Trenor leaving the box without drawing the curtain! With a hide like that draughts don't make any difference. Did you ever watch Trenor eat? If you did, you'd wonder why he's alive; I suppose he's leather inside too.—But I came to say that my wife wants you to come down to our place next Sunday. Do for heaven's sake say yes. She's got a lot of bores coming—intellectual ones, I mean; that's her new line, you know, and I'm not sure it ain't worse than the music. Some of 'em have long hair, and they start an argument with the soup, and don't notice when things are handed to them. The consequence is the dinner gets cold, and I have dyspepsia. That silly ass Silverton brings them to the house—he writes poetry, you know, and Bertha and he are getting tremendously thick. She could write better than any of 'em if she chose,

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