But, instead of a response from Hepzibah, she seemed to hear the murmur of an unknown voice. It was strangely indistinct, however, and less like articulate words than an unshaped sound, such as would be the utterance of feeling and sympathy, rather than of the intellect. So vague was it, that its impression or echo in Phœbe's mind was that of unreality. She concluded that she must have mistaken some other sound for that of the human voice; or else that it was altogether in her fancy.
She set the lighted lamp in the passage, and again entered the parlor. Hepzibah's form, though its sable outline mingled with the dusk, was now less imperfectly visible. In the remoter parts of the room, however, its walls being so ill adapted to reflect light, there was nearly the same obscurity as before.
"Cousin," said Phœbe, "did you speak to me just now?"
"No, child!" replied Hepzibah.
Fewer words than before, but with the same mysterious music in them! Mellow, melancholy, yet not mournful, the tone seemed to gush up out of the deep well of Hepzibah's heart, all steeped in its profoundest emotion. There was a tremor in it, too, that—as all strong feeling is electric—partly communicated itself to Phœbe. The girl sat silently for a moment. But soon, her senses being very acute, she became conscious of an irregular respiration in an obscure corner of the room. Her physical organization, moreover, being at once delicate and healthy, gave her a perception, operating with almost the effect of a spiritual medium, that somebody was near at hand.
"My dear cousin," asked she, overcoming an indefinable reluctance, "is there not some one in the room with us?"
"Phœbe, my dear little girl," said Hepzibah, after a moment's pause, "you were up betimes, and have been busy
