had more and more lost their warmth and substance, and been frozen, like the pictures of secluded artists, into the chillest ideality,—to him, this little figure of the cheeriest household life was just what he required to bring him back into the breathing world. Persons who have wandered, or been expelled, out of the common track of things, even were it for a better system, desire nothing so much as to be led back. They shiver in their loneliness, be it on a mountain-top or in a dungeon. Now, Phœbe's presence made a home about her,—that very sphere which the outcast, the prisoner, the potentate,—the wretch beneath mankind, the wretch aside from it, or the wretch above it,—instinctively pines after,—a home! She was real! Holding her hand, you felt something; a tender something; a substance, and a warm one: and so long as you should feel its grasp, soft as it was, you might be certain that your place was good in the whole sympathetic chain of human nature. The world was no longer a delusion.
By looking a little further in this direction, we might suggest an explanation of an often-suggested mystery. Why are poets so apt to choose their mates, not for any similarity of poetic endowment, but for qualities which might make the happiness of the rudest handicraftsman as well as that of the ideal craftsman of the spirit? Because, probably, at his highest elevation, the poet needs no human intercourse; but he finds it dreary to descend, and be a stranger.
There was something very beautiful in the relation that grew up between this pair, so closely and constantly linked together, yet with such a waste of gloomy and mysterious years from his birthday to hers. On Clifford's part, it was the feeling of a man naturally endowed with the liveliest sensibility to feminine influence, but who had never quaffed the cup of passionate love, and knew that it was now too late. He knew it, with the instinctive delicacy that had
