XI.
THE ARCHED WINDOW.
From the inertness, or what we may term the vegetative character, of his ordinary mood, Clifford would perhaps have been content to spend one day after another, interminably,—or, at least, throughout the summer-time,—in just the kind of life described in the preceding pages. Fancying, however, that it might be for his benefit occasionally to diversify the scene, Phœbe sometimes suggested that he should look out upon the life of the street. For this purpose, they used to mount the staircase together, to the second story of the house, where, at the termination of a wide entry, there was an arched window of uncommonly large dimensions, shaded by a pair of curtains. It opened above the porch, where there had formerly been a balcony, the balustrade of which had long since gone to decay, and been removed. At this arched window, throwing it open, but keeping himself in comparative obscurity by means of the curtain, Clifford had all opportunity of witnessing such a portion of the great world's movement as might be supposed to roll through one of the retired streets of a not very populous city. But he and Phœbe made a sight as well worth seeing as any that the city could exhibit. The pale, gray, childish, aged, melancholy, yet often simply cheerful, and sometimes delicately intelligent aspect of Clifford, peering from behind the faded crimson of the curtain,—watching the monotony of every-day occurrences with a kind of inconsequential interest and earnestness, and, at every petty throb of his sensibility, turning for sympathy to the eyes of the bright young, girl!
