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THE HOUSE OF THE SEVEN GABLES.

sometimes told Phœbe and Hepzibah his dreams, in which he invariably played the part of a child, or a very young man. So vivid were they, in his relation of them, that he once held a dispute with his sister as to the particular figure or print of a chintz morning-dress, which he had seen their mother wear, in the dream of the preceding night. Hepzibah, piquing herself on a woman's accuracy in such matters, held it to be slightly different from what Clifford described; but, producing the very gown from an old trunk, it proved to be identical with his remembrance of it. Had Clifford, every time that he emerged out of dreams so life-like, undergone the torture of transformation from a boy into an old and broken man, the daily recurrence of the shock would have been too much to bear. It would have caused an acute agony to thrill, from the morning twilight, all the day through, until bedtime; and even then would have mingled a dull, inscrutable pain, and pallid hue of misfortune, with the visionary bloom and adolescence of his slumber. But the nightly moonshine interwove itself with the morning mist, and enveloped him as in a robe, which he hugged about his person, and seldom let realities pierce through; he was not often quite awake, but slept open-eyed, and perhaps fancied himself most dreaming then.

Thus, lingering always so near his childhood, he had sympathies with children, and kept his heart the fresher thereby, like a reservoir into which rivulets were pouring, not far from the fountain-head. Though prevented, by a subtle sense of propriety, from desiring to associate with them, he loved few things better than to look out of the arched window, and see a little girl driving her hoop along the sidewalk, or schoolboys at a game of ball. Their voices, also, were very pleasant to him, heard at a distance, all swarming and intermingling together, as flies do in a sunny room.