from fathoming Clifford to the full depth of my plummet-line!"
"How strange that you should wish it!" remarked Phœbe, involuntarily. "What is Cousin Clifford to you?"
"O, nothing,—of course, nothing!" answered Holgrave, with a smile. "Only this is such an odd and incomprehensible world! The more I look at it, the more it puzzles me; and I begin to suspect that a man's bewilderment is the measure of his wisdom. Men and women, and children, too, are such strange creatures, that one never can be certain that he really knows them; nor ever guess what they have been, from what he sees them to be, now. Judge Pyncheon! Clifford! What a complex riddle—a complexity of complexities—do they present! It requires intuitive sympathy, like a young girl's, to solve it. A mere observer, like myself (who never have any intuitions, and am, at best, only subtile and acute), is pretty certain to go astray."
The artist now turned the conversation to themes less dark than that which they had touched upon. Phœbe and he were young together; nor had Holgrave, in his premature experience of life, wasted entirely that beautiful spirit of youth, which, gushing forth from one small heart and fancy, may diffuse itself over the universe, making it all as bright as on the first day of creation. Man's own youth is the world's youth; at least, he feels as if it were, and imagines that the earth's granite substance is something not yet hardened, and which he can mould into whatever shape he likes. So it was with Holgrave. He could talk sagely about the world's old age, but never actually believed what he said; he was a young man still, and therefore looked upon the world—that gray-bearded and wrinkled profligate, decrepit, without being venerable—as a tender stripling, capable of being improved into all that it ought to be, but scarcely yet had shown the remotest promise of becoming.
