the pipe or the dulcimer. All might have been composers, as the negroes and Indians are to-day, but on a higher plane.
What popular music might be now but for that unlucky Philarmonia discovery is suggested by an extract from the writings of Thomas Morley, an Englishman who became a great amateur and introducer of Italian madrigals in his own country. In the year 1597 he wrote that, on a certain evening, in England,—
supper being ended, and musicke-bookes, according to the custome, being brought to the table, the mistresse of the house presented mee with a part, earnestly requesting mee to sing. But when, after manie excuses, I protested unfainedly that I could not, euerie one began to wonder. Yea, some whispered unto others, demanding how I was brought up. So that, upon shame of mine ignorance, I go now to seek out mine old friende master Gnorimus, to make myselfe his schollar.
In those days a person who could not sing, and sing well, was regarded as a freak, and was required to fit himself to join in the universal di-
