Cups. Within the external circle are the letters TARO, and about this figure as a whole are grouped the symbols of the Four Living Creatures, the Ace of Wands, Ace of Swords, the letter Shin, and a magician’s candle, which is identical, according to Lévi, with the lights used in the Goetic Circle of Black Evocations and Pacts. The triple Tau may be taken to represent the Ace of Pentacles. The only Tarot card given in the volumes is the Chariot, which is drawn by two sphinxes; the fashion thus set has been followed in later days. Those who interpret the work as a kind of commentary on the Trumps Major are the conventional occult students and those who follow them will have only the pains of fools.
VIII
The author tells us how he met with the cards, but the account is in a chapter of anecdotes. The Tarot is the sidereal book of Enoch, modelled on the astral wheel of Athor. There is a description of the Trumps Major, which are evidently regarded as an heirloom, brought by the gipsies from Indo-Tartary. The publication of Lévi’s Dogme et Rituel must, I think, have impressed Vaillant very much, and although in this, which was the writer’s most important work, the anecdote that I have mentioned is practically his only Tarot reference, he seems to have gone much further in a later publication—Clef Magique dc la Fiction et du Fait, but I have not been able to see it, nor do I think, from the reports concerning it, that I have sustained a loss.
IX
The references to the Tarot are few in this brilliant work, which will be available shortly in English. It gives the 21st Trump Major, commonly called the Universe, or World, under the title of Yinx Pantomorphe—a seated figure wearing the crown of Isis. This has been reproduced by Papus in Le Tarot Divinatoire. The author explains that the extant Tarot has come down to us through the Jews, but it passed somehow into the hands of the gipsies, who brought it with them when they first entered France in the early part of the fifteenth century. The authority here is Vaillant.
