The Doom of the Darnaways
never transitioned any more. Don't you see it's just realistic enough to be real? Don't you see the face speaks all the more because it stands out from a rather stiffer framework of less essential things? And the eyes are even more real than the face. On my soul, I think the eyes are too real for the face! It's just as if those sly, quick eyeballs were protruding out of a great pale mask."
"The stiffness extends to the figure a little, I think," said Payne. "They hadn't quite mastered anatomy when medievalism ended, at least in the north. That left leg looks to me a good deal out of drawing."
"I'm not so sure," replied Wood quietly. "Those fellows who painted just when realism began to be done, and before it began to be overdone, were often more realistic than we think. They put real details of portraiture into things that are thought merely conventional. You might say this fellow's eyebrows or eye-sockets are a little lop-sided; but I bet if you knew him you'd find that one of his eyebrows did really stick up more than the other. And I shouldn't wonder if he was lame or something, and that black leg was meant to be crooked."
"What an old devil he looks!" burst out Payne suddenly. "I trust his reverence will excuse my language."
"I believe in the devil, thank you," said the
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