The great variety of measure in the original has been indicated by frequently varying the metre of this paraphrase, without meanwhile attempting to imitate the many very fanciful alliterations, assonances, and recurring choruses; of which last, however, two examples have been introduced. The "Gîta Govinda," with these refrains and the musical accompaniments named and prescribed by the directions embodied in the text, must have been a species of Oriental opera. This raises the difficult and little-studied subject of ancient Hindoo music, upon which a passing word or two may not appear impertinent. Sir William Jones says, "When I first read the songs of Jayadeva, who has prefixed to each the name of the mode in which it was to be sung, I had hopes of procuring the original music; but the Pundits of the South referred me to those of the West, and the Brahmans of the West would have sent me to those of the North, while they of Nepal and Cashmere declared that they had no ancient music, but imagined that the notes of the "Gîta Govinda" must exist, if anywhere, where the poet was born" (Sir W. Jones, vol. i. p. 440).
Now the reason why this illustrious scholar could not find the score of the "Gîta," was that music was always
