said, touching the sleeper on the shoulder, "dinner's on the table."
"God bless my soul," the dramatic critic said, with a start. The steward left the room. The dramatic critic furtively took a set of false teeth out of his waistcoat pocket; wiped them with a bandanna handkerchief, and inserted them in his mouth.
He tottered out of the room.
I got up and began to inspect the pen-and-ink sketches on the walls.
The faded paltry caricatures of faded paltry lesser lights that confronted me from fly-blown frames on the purple walls almost made me shiver.
"There you are, Granger," said a cheerful voice behind me. "Come and have some dinner."
I went and had some dinner. It was seasoned by small jokes and little personalities. A Teutonic journalist, a musical critic, I suppose, inquired as to the origin of the meagre pheasant. Fox replied that it had been preserved in the back-yard. The dramatic critic mumbled unheard that some piece or other was off the bills of the Adelphi. I grinned vacantly. After-
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