figure of a flute, with bell-mouth and a mazy complication of keys. No painting in the world could have been softer or richer; no shading out of one tint into another could have been more perfect; no work of art of any kind could have been more faultless than this flute, and yet to count the multitude of little fragments of stone of which they swore it was formed would bankrupt any man’s arithmetic! I do not think one could have seen where two particles joined each other with eyes of ordinary shrewdness. Certainly we could detect no such blemish. This table-top cost the labor of one man for ten long years, so they said, and it was for sale for thirty-five thousand dollars.
We went to the Church of Santa Croce, from time to time, in Florence, to weep over the tombs of Michael Angelo, Raphael and Machiavelli, (I suppose they are buried there, but it may be that they reside elsewhere and rent their tombs to other parties—such being the fashion in Italy,) and between times we used to go and stand on the bridges and admire the Arno. It is popular to admire the Arno. It is a great historical creek with four feet in the channel and some scows floating around. It would be a very plausible river if they would pump some water into it. They all call it a river, and they honestly think it is a river, do these dark and bloody Florentines. They even help out the delusion by building bridges over it. I do not see why they are too good to wade.
How the fatigues and annoyances of travel fill one with bitter prejudices sometimes! I might enter Florence under happier auspices a month hence and find it all beautiful, all attractive. But I do not care to think of it now, at all, nor of its roomy shops filled to the ceiling with snowy marble and alabaster copies of all the celebrated sculptures in Europe—copies so enchanting to the eye that I wonder: how they can really be shaped like the dingy petrified nightmares they are the portraits of. I got lost in Florence at nine o’clock, one night, and staid lost in that labyrinth of narrow streets and long rows of vast buildings that look all alike, until toward
