tributed that to him if it had not been so awfully out of the perpendicular. He designed the piers of Leghorn and the custom house regulations of Civita Vecchia. But, here—here it is frightful. He designed St. Peter’s; he designed the Pope; he designed the Pantheon, the uniform of the Pope’s soldiers, the Tiber, the Vatican, the Coliseum, the Capitol, the Tarpeian Rock, the Barberini Palace, St. John Lateran, the Campagna, the Appian Way, the Seven Hills, the Baths of Caracalla, the Claudian Aqueduct, the Cloaca Maxima—the eternal bore designed the Eternal City, and unless all men and books do he, he painted every thing in it! Dan said the other day to the guide, “Enough, enough, enough! Say no 
DAN. more! Lump the whole thing! say that the Creator made Italy from designs by Michael Angelo!”
I never felt so fervently thankful, so soothed, so tranquil, so filled with a blessed peace, as I did yesterday when I learned that Michael Angelo was dead.
But we have taken it out of this guide. He has marched us through miles of pictures and sculpture in the vast corridors of the Vatican; and through miles of pictures and sculpture in twenty other palaces; he has shown us the great picture in the Sistine Chapel, and frescoes enough to frescoe the heavens—pretty much all done by Michael Angelo. So with him we have played that game which has vanquished so many guides for us—imbecility and idiotic questions. These creatures never suspect—they have no idea of a sarcasm.
