“That's a blackbird,” observed Miss Byng; “see him there on the bush with pink blossoms. He’s all black except his bill, and that looks as if it had been dipped in an omelet, as some Frenchman says———”
“Why, Susie!” said Mrs. Byng.
“That garden belongs to a studio inhabited by two Americans,” continued the girl serenely, “and I often see them pass. They seem to need a great many models, mostly young and feminine———”
“Why, Susie !”
“Perhaps they prefer painting that kind, but I don’t see why they should invite five, with three more young gentlemen, and all get into two cabs and drive away singing. This street,” she continued, “is dull. There is nothing to see except the garden and a glimpse of the Boulevard Montparnasse through the rue de la Grande Chaumière. No one ever passes except a policeman. There is a convent on the corner.”
“I thought it was a Jesuit College,” began Hastings, but was at once overwhelmed with a Baedecker description of the place, ending with, “on one side stand the palatial hotels of Jean Paul Laurens and Guillaume Bougereau, and opposite, in the little Passage Stanislas, Carolus Duran paints the masterpieces which charm the world.”
The blackbird burst into a ripple of golden throaty notes, and from some distant green spot in the city, an unknown wild-bird answered with a frenzy of liquid trills until the sparrows paused in their ablutions to look up with restless chirps.
Then a butterfly came and sat on a cluster of heliotrope and waved his crimson-banded
