clamation broke from the trio, gloomy, fore- boding, like the chorus in a Greek play.
“Rue Barrée!”
“What!” cried Selby, bewildered.
The only answer was a vague gesture from Clifford.
Two hours later, during dinner, Clifford turned to Selby and said, “You want to ask me something; I can tell by the way you fidget about.”
“Yes, I do,” he said, innocently enough; “it’s about that girl. Who is she?”
In Rowden’s smile there was pity, in Elliott’s, bitterness.
“Her name,” said Clifford solemnly, “is unknown to any one, at least,” he added with much conscientiousness, “as far as I can learn. Every fellow in the Quarter bows to her and she returns the salute gravely, but no man has ever been known to obtain more than that. Her profession, judging from her music-roll, is that of a pianist. Her residence is in a small and humble street which is kept in a perpetual process of repair by the city authorities, and from the black letters painted on the barrier which defends the street from traffic, she has taken the name by which we know her,—Rue Barrée. Mr. Rowden, in his imperfect knowledge of the French tongue, called our attention to it as Roo Barry—”
“I didn’t,” said Rowden hotly.
“And Roo Barry or Rue Barrée, is to-day an object of adoration to every rapin in the Quarter———”
“We are not rapins,” corrected Elliott.
“I am not,” returned Clifford, “and I beg to call to your attention, Selby, that these two gentlemen have at various and apparently
