II.
OME work that I was doing about this time on the decorations for Geneviève’s boudoir kept me constantly at the quaint little hotel in the rue Sainte-Cécile. Boris and I in those days labored hard but as we pleased, which was fitfully, and we all three, with Jack Scott, idled a great deal together.
One quiet afternoon I had been wandering alone over the house examining curios, prying into odd corners, bringing out sweetmeats and cigars from strange hiding-places, and at last I stopped in the bathing-room. Boris all over clay stood there washing his hands.
The room was built of rose-colored marble excepting the floor which was tesselated in rose and gray. In the centre was a square pool sunken below the surface of the floor; steps led down into it, sculptured pillars supported a frescoed ceiling. A delicious marble Cupid appeared to have just alighted on his pedestal at the upper end of the room. The whole interior was Boris’ work and mine. Boris, in his working clothes of white canvas, scraped the traces of clay and red modelling wax from his handsome hands, and coquetted over his shoulder with the Cupid.
“I see you,” he insisted, “don’t try to look the other way and pretend not to see me. You know who made you, little humbug!”
It was always my rôle to interpret Cupid’s