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INTRODUCTION

the Heart." Komensky, though eschewing theological controversy, writes as a devout Christian, and, indeed, member of the Unity. To Komensky (as I wrote some time ago), "it seemed that happiness, unattainable here, can be found elsewhere." This is, I think, the keynote of the "Labyrinth."

I have hitherto only referred to works that are earlier in date than the "Labyrinth"; but of all allegorical tales, the one that bears most resemblance to the "Labyrinth" is the "Pilgrim’s Progress."[1] In both books a pilgrim passes through the evil world, with its great suffering and its many temptations. Evil guides lead astray both Komensky's and Bunyan's pilgrim, and both finally find perfect happiness and solace of their sorrows by means of God's grace. There are many minor resemblances—both books, for instance, contain a somewhat comic trial—that the reader will discover for himself. Yet there are great contrasts also between the two books, founded on the very different conditions of the writers. Bunyan knew only the tenets of his own community and the low life of his time. Komensky, on the other hand, had, at the time when he wrote the "Labyrinth,"

  1. It has been suggested to me that Bunyan may have had knowledge of the "Labyrinth," and that his words, "Some say the 'Pilgrim's Progress' is not mine, insinuating as if I would shine, in name and fame, by the worth of another," refer to it. I consider this very improbable. There has, of course, never been an English translation of the "Labyrinth," and though Komensky may have mentioned his book during his stay in London, yet no information of this can well have reached Bunyan. Besides, as I have already stated, the idea on which both books are founded is far older than either of them.