flected on the nastiness of lukewarm sauces), proved to be, largely, that this circumstance would facilitate their escape. He talked of their escape (recurring to it often afterwards), as if they were making up a "boy's book" together. But he likewise expressed his sense that there was something in the air, that the Moreens couldn't keep it up much longer. In point of fact, as Pemberton was to see, they kept it up for five or six months. All the while, however, Morgan's contention was designed to cheer him. Mr. Moreen and Ulick, whom he had met the day after his return, accepted that return like perfect men of the world. If Paula and Amy treated it even with less formality an allowance was to be made for them, inasmuch as Mr. Granger had not come to the opera after all. He had only placed his box at their service, with a bouquet for each of the party; there was even one apiece, embittering the thought of his profusion, for Mr. Moreen and Ulick. "They're all like that," was Morgan's comment; "at the very last, just when we think we've got them fast, we're chucked!"
Morgan's comments, in these days, were more and more free; they even included a large recognition of the extraordinary tenderness with which he had been treated while Pemberton was away. Oh, yes, they couldn't do enough to be nice to him, to show him they had him on their mind and make up for his loss. That was just what made the whole thing so sad, and him so glad, after all, of Pemberton's return—he had to keep thinking of their affection less, had less sense of obligation. Pemberton laughed out at this last reason, and Morgan blushed and said: "You know what I mean." Pemberton knew perfectly what he meant; but there were a good many things it didn't make any clearer. This episode of his second sojourn in Paris stretched itself out wea-
