Page:The Life of Benvenuto Cellini Vol 1.djvu/143

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LIFE OF BENVENUTO CELLINI

and it seemed to him that they had done him a great despite. Yet he immediately resumed his art, and fashioned a mirror, about a cubit in diameter, out of bone and ivory, with figures and foliage of great finish and grand design. The mirror was in the form of a wheel. In the middle was the looking-glass; around it were seven circular pieces, on which were the Seven Virtues, carved and joined of ivory and black bone. The whole mirror, together with the Virtues, was placed in equilibrium, so that when the wheel turned, all the Virtues moved, and they had weights at their feet which kept them upright. Possessing some acquaintance with the Latin tongue, he put a legend in Latin round his looking-glass, to this effect: "Whithersoever the wheel of Fortune turns, Virtue stands firm upon her feet:"

Rota sum: semper, quoquo me verto, stat Virtus.

A little while after this he obtained his place again among the fifers. Although some of these things happened before I was born, my familiarity with them has moved me to set them down here. In those days the musicians of the Signory were all of them members of the most honourable trades, and some of them belonged to the greater guilds of silk and wool;[1] and that was the reason why my father did not disdain to follow this profession, and his chief desire with regard to me was always that I should become a great performer on the flute. I for my

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  1. In the Middle Ages the burghers of Florence were divided into industrial guilds called the Greater and the Lesser Arts. The former took precedence of the latter, both in political importance and in social esteem.