something for me too, I am ready to pay you far better than that King of yours has done, for whom your excellent nature prompts you to speak so gratefully." When I understood his drift, I described the deep obligations under which I lay to his Majesty, who first obtained my liberation from that iniquitous prison, and afterwards supplied me with the means of carrying out more admirable works than any artist of my quality had ever had the chance to do. While I was thus speaking, my lord the Duke writhed on his chair, and seemed as though he could not bear to hear me to the end. Then, when I had concluded, he rejoined:" If you are disposed to work for me, I will treat you in a way that will astonish you, provided the fruits of your labours give me satisfaction, of which I have no doubt." I, poor unhappy mortal, burning with desire to show the noble school[1] of Florence that, after leaving her in youth, I had practised other branches of the art than she imagined, gave answer to the Duke that I would willingly ere<5l for him in marble or in bronze a mighty statue on his fine piazza. He replied that, for a first essay, he should like me to produce a Perseus; he had long set his heart on having such a monument, and he begged me to begin a model for the same.v I very gladly set myself to the task, and in a few weeks I finished my model, which was about a cubit high,
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- ↑ This school was the Collegia dei Maestri di Belle Arti in Florence, who had hitherto known of Cellini mainly as a goldsmith.
