help it; it has cost me more trouble than anything I have written yet; I ground at it the other night from nine o'clock till half-past four a.m., when the lamp went out, and I had to creep upstairs to bed through the great dark house like a thief." The praise of Amiens has been written by many different pens; but no one has ever written on it with such white heat of enthusiasm and such wealth of detailed insight. Every word of what he writes comes straight from his heart. "I thought," he says, with simple and unashamed modesty, "that even if I could say nothing else about these grand churches, I could at least tell men how I loved them. For I will say here that I think these same churches of North France the grandest, the most beautiful, the kindest and most loving of all the buildings that the earth has ever borne."
This article is headed "The Churches of North France. No. 1." It would seem that Morris had meant to write a series of articles on these churches, but there is no trace of his having begun a second. Indeed, after the first few months, his contributions to the magazine appear to be mainly poems and tales written during the previous year; his work at Street's office, together with all the rest of his activities, preventing him from giving the laborious days and nights to writing which would have been necessary. For the essay on Amiens has neither the fluent grace nor the uncertain touch of the tales; it is wrought as if with chisel strokes, precise and yet passionate. The prose tales, on the other hand, were written very swiftly, poured out, as it were, from a brain overloaded and saturated with its pent-up stores of imagination. The only one which bears internal traces of labour or effort is the one entitled "Frank's Sealed Letter," in which for once, and with very faint success, he tried to write
