"Yet I shall have enough to do, if I actually master this art of painting: I dare scarcely think failure possible at times, and yet I know in my mind that my chances are slender; I am glad that I am compelled to try anyhow; I was slipping off into a kind of small (very small) Palace of Art.... Ned and I are going to live together. I go to London early in August."
The double life which he proposes to himself in this letter was actually carried on for some time, Morris working at Street's office in the day and going with Burne-Jones to a life school in Newman Street at night. But it of course proved to be impossible as a continuance. A visit to the Low Countries which he made during the autumn with Street brought him back fired with new enthusiasm for painting; and before the end of the year he finally quitted the office. It was after this visit that he adopted, or modified, for his own use, the motto "Als ich kanne" of John Van Eyck.
"Topsy and I live together," writes Burne-Jones in August, "in the quaintest room in all London, hung with brasses of old knights and drawings of Albert Dürer. We know Rossetti now as a daily friend, and we know Browning too, who is the greatest poet alive, and we know Arthur Hughes, and Woolner, and Madox Brown—Madox Brown is a lark! I asked him the other day if I wasn't very old to begin painting, and he said, 'Oh, no! there was a man I knew who began older; by the bye, he cut his throat the other day,' so I ask no more about men who begin late. Topsy will be a painter, he works hard, is prepared to wait twenty years, loves art more and more every day. He has written several poems, exceedingly dramatic—the Brownings, I hear, have spoken very highly of one that was read to them; Rossetti thinks one called
