lodgers, read their books and letters, was anxious to be allowed to act as a model, and neglected all her other duties to stand behind them and watch them painting.
The rooms in Red Lion Square were unfurnished: and from this trifling circumstance came the beginnings of Morris's work as a decorator and manufacturer. The arts of cabinet-making and upholstery had at this time reached the lowest point to which they have ever sunk. Ugliness and vulgarity reigned in them unchecked. While he lived in furnished rooms it was easy to accept things as they were; but now, when furniture had actually to be bought, it became at once clear that nothing could be had that was beautiful, or indeed, that was not actively hideous. Nor was it possible even to get so simple a thing as a table or chair, still less any more elaborate piece of furniture, made at the furnishing shops from a better design. It was this state of things which drove Morris and Webb to take up the designing and making of objects of common use on their own account, and which led, a few years later, to the formation of the firm of Morris & Company. For the moment, however, all that was possible was that Morris should make rough drawings of the things he most wanted, and then get a carpenter in the neighbourhood to construct them from those drawings in plain deal. Thus the rooms in Red Lion Square were gradually provided with "intensely mediæval furniture," as Rossetti described it, "tables and chairs like incubi and succubi." First came a large round table "as firm, and as heavy, as a rock": then some large chairs, equally firm, and not lightly to be moved, "such as Barbarossa might have sat in." Afterwards a large settle was designed, with a long seat below, and above, three cupboards with great swing doors,
