Page:The Life of William Morris.djvu/205

much the same as it had been in Chaucer's time, was to be reviewed and selected from anew. The earliest poems written were from the mythology and heroic legends of Greece: and to these were gradually added others from Eastern, Western, and Northern sources. The next idea which occurred was to make half of the stories be taken from the Greek, and half from non-Greek, or what might be broadly described as romantic literature. To create a possible or plausible common setting for both groups, he fell back on his favourite fancy of a continued thread of living Greek tradition coming down almost to the end of the Middle Ages among Greek-speaking people, and overlapping the full development of romanticism in Western Europe. It was but a fancy, yet one which had real analogies in history. The Greek epic, it is true, ends in the fifth century; but Greek poetry went on being written certainly till the eleventh; and the collection of minor poetry known as the Anthology owes its final form to a Byzantine scholar who was ambassador to Venice at the time of Edward III.'s accession to the crown of England, and was probably still alive when Chaucer was born. Byzantine Greeks of the fourteenth century inherited a continuous literary tradition regarding the incidents and characters of the ancient Greek epic, which can be traced upwards to compilers of the second and third centuries, and again through these to mythographers who may have been the contemporaries of Herodotus. Given, then, this living tradition of early Greece, inherited by some outlying fragment of the Greek speech and blood such as actually existed for some hundreds of years in Central Asia, for some hundreds more in Southern Russia, and might conceivably have existed in some remote ocean fastness much longer: given a sufficient reason for the inheritors of this tradi-