and men because of it." As to the "literary matter," he said afterwards that this of all his books was the one which had given him the greatest pleasure in writing. For combination and balance of his qualities it may perhaps be ranked first among his prose romances. It has not the strength of its predecessor, "The House of the Wolfings," nor the fairy charm of its successor, "The Wood beyond the World." But in its union of the gravity of the Saga with the delicate and profuse ornament of the romance it may perhaps take the first place among the three as a work of art.
The binding which pleased him so much was one of his own chintzes, used for a small number of copies of the book printed on hand-made paper. His own cooler judgment recognized that it had defects for this use both in pattern and texture, and the experiment was not repeated. But his interest in the production of printed books was now fully aroused on all its sides; and he was already beginning to plan out the printing and production of such books himself.
"I think before my next book comes out," he wrote to Ellis on the 21st of November, "I shall design a chintz for bookbinding, and if I do I shall get it calendered so as to keep the dirt off—what do you think? As to the printing, the difficulty of getting it really well done shows us the old story again. It seems it is no easy matter to get good hand-press men, so little work is done by the hand-press: that accounts for some defects in the book, caused by want of care in distributing the ink. I really am thinking of turning printer myself in a small way; the first step to that would be getting a new fount cut. Walker and I both think Jenson's the best model, taking all things into consideration. What do you think again? Did you
