are wrong. In new houses, even farmhouses, it does not matter so much; the owners cannot be found fault with for using the advantages of modern times. On old houses where tiles were once, to put slates is an offence, nothing less. Every one who passes exclaims against it. Tiles tone down and become at home; they nestle together, and look as if you could be happily drowsy and slumber under them. They are to a house what leaves are to a tree, and leaves turn reddish or brown in the autumn. Upon the whole, with the exception of the slates—the hateful slates—the farmsteads are improved, for they have lost a great deal that was uncouth and even repulsive, which was slurred over in old pictures or omitted, but which was there.
The new cottages are ugly with all their ornamentation; their false gables, impossible porches, absurd windows, are distinctly repellent. They are an improvement in a sanitary sense, and we are all glad of that, but we cannot like the buildings. They are of no style or time; only one thing is certain about them—they are not English. Fortunately there are plenty of old cottages, hundreds of them (they show little or no sign of disappearing), and these can be chosen instead. The villages are to outward appearance much as they used to be, but the people are very different. In manners, conversation, and general tone there is a great change. It is, indeed, the people who have altered more than the surface of the country. Hard as the farmer may work, and plough and sow with engine and drill, the surface of the land does not much vary; but the farmer him-
