The Life of the Spider
itself a virtual diagram of its spiral. Accident, however fruitful in surprises we may presume it to be, can never have taught it the higher geometry wherein our own intelligence at once goes astray, without a strict preliminary training.
Are we to recognize a mere effect of organic structure in the Epeira's art? We readily think of the legs, which, endowed with a very varying power of extension, might serve as compasses. More or less bent, more or less outstretched, they would mechanically determine the angle whereat the spiral shall intersect the radius; they would maintain the parallel of the chords in each sector.
Certain objections arise to affirm that, in this instance, the tool is not the sole regulator of the work. Were the arrangment of the thread determined by the length of the legs, we should find the spiral volutes separated more widely from one another in proportion to the greater length of implement in the spinstress. We see this in the Banded Epeira and the Silky Epeira. The first has longer limbs and spaces her cross-threads more liberally than does the second, whose legs are shorter.
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