In a short time he took a house in the Artillery Walk, leading to Bunhill Fields; the mention of which concludes the register of Milton's removals and habitations. He lived longer in this place than any other.
He was now busied by Paradise Lost. Whence he drew the original design has been variously conjectured by men who cannot bear to think themselves ignorant of that which, at last, neither diligence nor sagacity can discover. Some find the hint in an Italian tragedy. Voltaire tells a wild and unauthorised story of a farce seen by Milton in Italy, which opened thus: Let the Rainbow be the Fiddlestick of the Fiddle of Heaven. It has been already shewn, that the first conception was a tragedy or mystery, not of a narrative, but a dramatick work, which he is supposed to have begun to reduce to its present form about the time (1655) when he finished his dispute with the defenders of the king.
He long had promised to adorn his native country by some great performance, while he had yet perhaps no settled design, and was stimulated only by such expecta-
