less to be censured for want of candour, than pitied for want of sensibility.
Of Paradise Regained, the general judgement seems now to be right, that it is in many parts elegant, and every-where instructive. It was not to be supposed that the writer of Paradise Lost could ever write without great effusions of fancy, and exalted precepts of wisdom. The basis of Paradise Regained is narrow; a dialogue without action can never please like an union of the narrative and dramatic powers. Had this poem been written not by Milton, but by some imitator, it would have claimed and received universal praise.
If Paradise Regained has been too much depreciated, Sampson Agonises has in requital been too much admired. It could only be by long prejudice, and the bigotry of learning, that Milton could prefer the ancient tragedies, with their encumbrance of a chorus, to the exhibitions of the French and English stages; and it is only by a blind confidence in the reputation of Milton, that a drama can be praised in which the intermediate parts have neither cause nor consequence, neither hasten nor retard the catastrophe.
