Of some of the pieces, however, there is no doubt. The Imitation of Horace's Satire, the Verses to Lord Mulgrave, the Satire against Man, the Verses upon Nothing, and perhaps some others, are I believe genuine, and perhaps most of those which this collection exhibits.
As h e cannot be supposed to have found leisure for any course of continued study, his pieces are commonly short, such as one fit of resolution would produce.
His songs have no particular character; they tell, like other songs, in smooth and easy language, of scorn and kindness, dismission and desertion, absence and inconstancy, with the common places of artificial courtship. They are commonly smooth and easy; but have little nature, and little sentiment.
His imitation of Horace on Lucilius is not inelegant or unhappy. In the reign of Charles the Second began that adaptation, which has since been very frequent, of ancient poetry to present times; and perhaps few will be found where the parallelism is better preserved than in this. The versification is indeed sometimes care-
