In the verses on the Lap-dog, the pronouns thou and you are offensively confounded; and the turn at the end is from Waller.
His versions of the two odes of Horace are made with great liberty, which is not recompensed by much elegance or vigour.
His political verses are spritely, and when they were written must have been very popular.
Of the scene of Guarini, and the prologue of Pompey, Mrs. Philips, in her letters to Sir Charles Cotterel, has given the history.
"Lord Roscommon," says she, "is certainly one of the most promising young noblemen in Ireland. He has paraphrased a Psalm admirably, and a scene of Pastor Fido very finely, in some places much better than Sir Richard Fanshaw. This was undertaken merely in compliment to me, who happened to say that it was the best scene in Italian, and the worst in English. He was only two hours about it. It begins thus:
Dear happy groves, and you the dark retreat
Of silent horrour, Rest's eternal seat."
From these lines, which are since somewhat mended, it appears that he did not
